Compendium
A
afillá a type of hoarse, earthy flamenco voice
alante stage front
Alegrias A joyful dance, in compas of 12 beats, from Cadiz. The origin
is in the jotas of Cadiz - traditional folk music of Aragon,
brought to the Andalucian region by soldiers during the War of
Independence in the early 19th century. The main characteristics
of this style are the richness of its guitar accompaniment,
the intricacy of the dancing, the demands of its difficult
rhythm, and its lively sound. Descendent of the Soleares family.
Andalucia region from southern Spain; birthplace of Flamenco
arpegio a chord whose notes are played in succession, not simultaneously
atrás stage rear
B
baile the dance
bailaor{a} dancer (male & female)
bout body of the guitar
braceo movement of the arms during the dance
bulerias High-spirited song & dance from Jerez. This developed like
Soleares from a simple style. However, unlike Soleares, it
has a fast and lively rhythm - indeed, the fastest in all
flamenco - and provides enormous scope for improvisation on
the part of dancers, singers and guitarists. It is wild,
frenzied and lively, but nevertheless contains the germ of
sorrow that is almost always present in flamenco.
C
cabales Flamenco experts
café cantante coffee house with flamenco shows (originally
starting with flamenco cante but eventually covering all flamenco
forms)
cajon percussive instrument similar to an empty wooden box
calo language of the gypsies
caña Caña, also very closely related to Soleares, is one of
the oldest forms of flamenco, and one of the most pure and
beautiful.
cantaor{a} singer (male & female)
cante song
cante chico light song, more frivolous
cante jondo deep song covering both the dark and serious aspect of Flamenco
cante grande more profound song
carcelera type of tonás sung by incarcerated gypsies
Caracoles This is one type of cantiñ which appeared in
Cadiz in the mid-19th century. It became strongly
associated with Madrid, although it is essentially from
Andalucia, like all flamenco music. Curro Cuchares and
'El Tato' who worked in the bull-rings and were also good
singers took this style to Madrid where it became very
popular. Later it was recreated in a masterly way by
Antonio Chacon, who gave it its present brilliance and
vitality.
cejilla capo on a guitar
colombianas flamenco style influenced by S.American rhythms
compás beat, rhythm, measure, the characteristic rhythm of
a form
copla verse
cuadro group of flamenco performers, including dancers
singers, and guitarists
D
danza mora a style influenced by the Moors of N.Africa (stands for
Moorish Dance); guitar 6th string tuned to D
debla toná with religious overtones
desplante section of a dance, as in "desplante por bulerias", performed after
the "llamada". May range from several steps to several compass
depending on the choreography
duende the soul force that inspires flamenco art
E
entrada entrance of the dancer
estribillo a flamenco phrase
F
falda skirt
falseta a melodic variation played by guitarist
falsete high pitched voice
fandango a dance from Huelva; cante chico
farruca A spectacular male dance, one of the more recent forms of
flamenco. Its origin is perhaps in some chants from the North of
Spain. It is never sung when played in the pure flamenco idiom.
As a dance or as a guitar solo, it is a very dramatic piece.
flamenco music/dance from Andalucia in Southern Spain. Roots in Indian, Arabic,
Spanish cultures.
floreo movement of the hands
G
gitano gypsy
guajiras a style influenced by Cuban rhythms
H
hondo deep, profound
J
juerga flamenco party or jam session
jaleo utterances of approval, encouragement. Recognition
of the duende
jondo variation of hondo most often associated with flamenco dance
L
letra verse of a song
llamada "call" or "break", dance movement signalling a change of section
M
malagueñas a free form flamenco style (no specific compas,
interpretive, and not danced) from Malaga. Descendent of the Fandango family.
manton embroidered silk shawl with long fringes
marcando movements of the dancer during the letra
martinete toná sung by the gypsies in a forge; refers to hammer
P
palillos castanets, not used in pure flamenco
palmas rhythmic hand clapping used to accompany flamenco
song and dance
palmeros men that clap while the musicians play
petenera Cante that is out of the mainstream, derived from
Andalucian folklore. The folklore behind this is that the word is a corruption
of "Patenera" who sang the cante and came from Paterna de la Rivera. It is
considered by the superstitious to be bad luck to play.
picados flamenco scales on the guitar
pitos finger snapping used to accompany flamenco song and dance
planta sole of the foot
polo flamenco song derived from the Soleares family
punta toe of the foot
punteado plucking technique
Q
quejío lament
R
rasgueado guitar strumming technique
redonda flamenco voice
rondenas another free-form style; it uses an alternative tuning for both
3rd and 6th strings
rumbas another flamenco style influenced by New World rhythms; strumming
characterized by damping the strings with the whole hand for syncopation
S
salida exit of the dancer
serranas same compas as siguiriyas, but played in E instead of A so has a
different mood and texture, though some of the same variations can be transposed
siquiriyas/seguidillas profound cante jondo
soleá/soleares cante jondo called the mother of flamenco song.
Consists of 12 beats with accents on the 3rd, 6th, 8th, 10th, and 12th.
T
tablao club with stage for flamenco shows
tacaor/tocaor flamenco guitarist
tacon heel of the foot
taconeo footwork
tango baile chico, flamenco song & dance
tanguillo flamenco song and dance dervied from the tango
tarantas another free-form style
tarantos this one is danced, so has a compas, and is related to the
tarantos in key, etc.
tientos cante jondo, derived from tango
tocaor/tacaor flamenco guitarist
tonás basic flamenco song. The earliest known.
toque guitar playing
toque compás guitar playing with fixed patterns of rhythmic beats
toque libre guitar playing with free form rhythm
tremolo a rapid fluttering of a guitar tone or alternating tones
Z
zapateados needs very fancy footwork; the compas speeds up, slows down,
and speeds up again and is a showcase for dancers (zapato means
shoes). Derived from the tango.
Phrases
Agua Water! It's so hot I need water!
Asi se baila That's dancing!
Asi se toca That's playing!
Asi se canta That's singing!
Eso es That's it!
Hassa Great!
jaleo Ale, ole.
Possibly from the 12th century call "hala"
Possibly from the Arabic: Allah!
Olé!
Toma que toma take it!
Vamos alla go there!
Vamo' ya! Let's go!
johna@webnexus.com